Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Monday, December 19, 2011

TUESDAY TIPS AND TIDBITS - new juvenile fiction ocean adventure

New middle-grade/juvenile fiction underwater adventure with a magical/paranormal/sci-fi twist available in ebook (Amazon, B&N, Smashwords) just before Christmas and soon in print!

THE TIDE CHANGERS
by Sandy Green
published by Penumbra Publishing
Fiction - middle-grade/juvenile paranormal/sci-fi fantasy

"I was glad to get an advance reader copy of this book. THE TIDE CHANGERS is a very special heartwarming tale featuring a young teen hero who doesn't feel very heroic. He's afraid of the water until he accidentally learns an astonishing secret about himself while trying to save his older brother from drowning. I love this story and everything about it, from the characters to the action and the underwater surprises. It is a fun read for all ages." -Willa Kaye Danes, author of PIXIE

STORY SUMMARY:

Ever since Ford Kahr's dad went missing three years ago during a dive expedition near their home at Cape Lore, New Jersey, Ford's been afraid of the ocean. His older brother Jag is a junior swim champ, and his younger sister Mercedes has a mystical connection with the water. So why does he sink like a rock when he tries to swim? When Ford's brother Jag swims out to investigate the disappearing island past the jetty and suddenly has trouble keeping his head above water, Ford and Mercy have no choice but try to save him. And that's when Ford makes a startling discovery about himself and Mercy...

Monday, October 31, 2011

TUESDAY TIPS AND TIDBITS - Dating Your Writing

Sometimes it’s good to date your fiction writing and place it within the confines of a specific period of time. However, for the most part, dating your writing can make it seem stale or outdated in just a short passage of time. Here are some common applications to keep in mind when deciding whether to include identifiable dates in your fiction.

Historical connection. When you’re writing a historical that takes place in a predetermined era or span of years, you want your readers to know exactly when your story takes place, especially if you want your book’s action to be historically accurate in accordance with known events (1492, 1976, etc.). Slipping a date into the narrative or dialog is a slick way to let your readers know what time period you’re writing about. Or you can include a preface or prologue that makes it clear what historical period is being covered.

Of course you’ll want to do extensive research to make sure your dialog and narrative reads authentic for the period by using terms that were common for the period and not accidentally slip in contemporary terms like ‘sound byte’ or ‘get it on.’ You might even go so far as to make your narrative ‘sound’ a bit old fashioned. You’ll certainly want to make sure the characters’ hairstyles and clothing styles fit the period and the level of affluence. Everything, including modes of heating, indoor plumbing, and conveyances should bear the right names and descriptions. A historical check will let you know when indoor plumbing and electricity became the norm, and when it might have been available in unusual circumstances well before the common adoption by cities of the era.

And remember, ‘historical’ can be applied to anything that’s in the past, as long as the era is recognizable either by the author’s treatment or newsworthy significance. The Woodstock era is historical, just as the French Revolution is historical. It all depends on the treatment.

Timing is everything. For movies and series and books that are predicated on the premise that some major event (like the end of the world) is going to happen on a fixed predetermined date (Dec. 21, 2012), the shelf life is obviously going to end when that date passes. (Hopefully this world too shall not also pass when the date of its predicted demise passes.) If you’re planning to cash in on a premise like this, make sure you give yourself plenty of lead time to get your product out there to enjoy whatever sales are available before the expiration date passes.

Time is relative. It’s interesting to note that George Orwell’s Nineteen Eighty-Four was published in 1949, and the year of the (then) futuristic dystopian setting is now almost thirty years in our past. Yet this book has a classic appeal that transcends the actual date of the book’s setting and is continually read by new readers, even though much of the content may seem dated by today’s modern standards. Any novel that can stand the test of time can become perennially popular, but its status in that regard depends on the quality of the content and the appeal of underlying message to multiple generations of readers.

Futurama. If you’re planning to write a futuristic or science fiction novel set in the future, it’s okay to date your story hundreds or even thousands of years in the future. If, however, you count forward from the date you write the book, make sure the span of time is fuzzy enough not to refer back to a specific date unless that date is already in the past and you’ve noted something specific that has already happened and are weaving that event into your story line to give a sense of actual time span. Most of the time a general estimate of years passed is easier to deal with because you don’t pin your book down to a specific beginning point. But when you’re dealing with thousands of years, it doesn’t really matter whether your story takes place in 3017 or 3055 or 5099 – unless a turn of the century is critical to your story line.

One of the things beginning science fiction writers forget to figure in is the leaps in technology. They either fail to give the culture featured in their story sufficient time to develop a critical technology that allows faster than light space travel, or they fudge on other aspects of timing versus technology. So make sure you figure everything out to the last detail as if it was all real. Then your dates will be believable even if they are so far in the future, they are hard to comprehend.

Technology itself is a worrisome component of futuristic stories, as it can be in historical. But with science fiction, there is a bit more leeway to fudge on actual details. Still, the conceptualization and prediction of what might be current technology a hundred or even a thousand years from now needs to be believable. For instance, your humans living in the year 2517 will not still be using cell phones and driving cars around like we do right now, today – unless time was somehow frozen or thrown back to an earlier time, or a severe cataclysm occurred and technology had to be redeveloped from scratch. So it is extremely important to consider technological advancements in respect to time, if you want your readers to suspend disbelief while reading what you’ve written.

Adding dates with years. Writers have a natural tendency to add complete dates in their writing, because most everyone has been conditioned to use complete and realistic details in their writing. Here’s one instance where that’s a bad idea. Suppose your book, Diary of Jane Doe, is based on a format of diary or journal entries that bear dates with the year included. At the time you wrote it two years ago, adding dates to the diary entries made perfect sense. For example, your heroine Jane writes in her diary...

October 31, 2009 – Dear Diary, today I met Bill at the coffee shop around the corner. We had a nice little chat over hot beverages. I had pumpkin-spiced cider (so fall), and he had a heavy chocolate coffee concoction. Bill seems like a great guy, but I don’t think I want to see him again. He is much older than I am. I know that seems vain, but I’m just thinking of my future.

Poor Bill ... an obvious victim of age discrimination. And poor Diary of Jane Doe. When a reader picks up this book two years later (like ... today) and sees that date of 2009, the reader is immediately going to think the writing is outdated, too old. After all, it’s two years later. A lot of readers looking for new reading material want to pick up writing that’s new and fresh, not stale and sitting on the shelf a couple years. That’s the primary reason books sit on a bookstore bookshelf only a couple months before being replaced with newer material.

In this instance, the easiest way to fix things and avoid major rewrites (which would involve dropping the entire format of diary entries and the book title that goes with it) would be to simply drop the year at the end of the date. And this applies to any writing where a date is inserted, whether or not it represents a character’s diary or journal entry. This same rule should also be applied to author bios and other non-fictional material when the author wants to avoid giving away age issues or other personal information that would ‘date’ the author.

Keeping up to date. As with historical or futuristic writing, contemporary writing is automatically going to seem dated by any specific references to technology. Cell phones have been around since the mid eighties, but back then they were satellite phones called ‘bricks’ because they were big and bulky and heavy. We haven’t yet advanced to the Dick Tracy wristcom, but we’re close to it. When you mention an X-box 360 or an iPhone4 in your story, who knows what generation of X-box or iPhone will be the current standard ten years from now? Maybe those products won’t be available anymore in any incarnation or edition. If you don’t want to specifically date your writing with technology, make your references generic. Instead of X-box, just say ‘video game’ or ‘cell phone’ for iPhone4.

The same advice applies to events. Yes, the economy sucks right now and has for the last four years. And it’s a good chance it will continue sucking for another five to ten years. But hopefully sometime soon it will get better at least for some segment of the population. If you reference the economic situation in a context that no longer applies, then you'll unintentionally date your story. Wars should be dealt with carefully when deciding whether to include references to them. In general, your story should only reference specific wars when the story is about that war, or the war somehow plays a part in your story. In general this suggestion applies to all time-tied events.

Popular music, hairstyles, drug scenes, club scenes, modes of dress – everything that is culture related – can quickly become dated, so unless you are writing about a specific period in recent history, make sure your descriptions are generic enough to pass the test of time. This includes attitudes and prevailing accepted ideas that may be popular now but could be looked down upon later.

For example, I once bought a newly printed romance that started off okay but then quickly revealed dated attitudes and behavior that were acceptable maybe 30 years prior in the romance industry but now have mostly been discarded as unpalatable because heroines have upgraded to more self-sufficient behavior. When I looked at the copyright date, I was dismayed to find this book had in fact been published originally 30 years before, and I was reading a poorly updated reprint. So if you plan on recycling stories written long ago that never made it to the light of day, go through and update everything as if you were writing it new today.

Stand the test of time. As long as you follow these simple guidelines, your writing can remain timeless and perennially viable in the reading world.

Pat Morrison, Penumbra Publishing

Tuesday, August 2, 2011

The Winners of The Dome Are....

Alright peeps. It's August 2nd, which means the opportunity to win a copy of The Dome has come to an end. We had a lot of great entries, but alas, I can only choose two winners.

The first winner is K.C. Neal for tweeting the giveaway and answering the question... "If aliens invaded Earth, would humans stand a chance?"

I think we'd be TOAST. But we'd go down fighting!! 


Toast indeed! 


The second winner is Shelia Deeth with what, in my opinion, was the best answer because I agree.... 


Fascinating excerpt! If aliens invaded--I'm not sure we'd even notice unless they wanted us to. Too good at keeping our eyes closed.


Thank you to everyone who participated in this giveaway! Come back for more chances to win books by amazing authors. 

Monday, July 25, 2011

TUESDAY TIPS AND TIDBITS - Book Release and Blogfest

New Book Release - COLORS by David Berardelli

Colors
by David Berardelli
Paranormal Suspense

Twenty-three-year-old Lindsay Foreman's life was normal and boring until a few days ago. Now she's seeing things ... weird things ... things normal people don't see. Wisps of color above people's heads ... and flashes of images she couldn't possibly have seen herself, as if someone is sending these images to her mind. She has no idea what's happened to her, but realizes this all started after she tried to help an old homeless woman struck down by a hit-and-run driver. Before dying, the woman told Lindsay she needed to give her something. And now Lindsay's got this ... gift of vision beyond the normal. She doesn't know what it means, but she needs to find out.

The problem is, somebody out there doesn't want her digging around in the truth, and they'll do anything to keep her quiet. Anything. And then suddenly a man named C.C. Cross comes to her rescue. But she's not exactly sure he's there to help her. Lindsay needs to figure out what's going on before it's too late - and time's running out!

Nova Sparks' BLOGFEST and DOME PARTY

Nova Sparks, author of the sci-fi DOME trilogy, launched her blogfest Monday, July 25, which will continue through the end of the month. Here's the schedule...

25th-Guest Blog at My Neurotic Book Affair

26th-Giveaway and Excerpt at Paranormal Wire

27th-Book Feature at Penumbra Publishing Blog

28th-Dome Party at Natasha's Author Site

29th-Interview at Independent Paranormal

30th-Last Tour Stop-Bundle Giveaway-Penumbra


There'll be blog articles, book giveaways and a DOME PARTY. Go to Nova's blog site at http://www.novasparks.blogspot.com for more info!

Monday, July 4, 2011

Book Review: The Dome by Nova Sparks


I'll start out this next book review by confessing that this author is one of the best people I've encountered online. I adore and am inspired by her on an almost daily basis.  Now,  if you're convinced this review will be biased, please take a moment to get over it.  I'm a total professional here...

Moving right along, I really enjoyed reading this book. The plot is active, engaging and outside the realm of what is happening in the real work, which I always appreciate. My favorite part of The Dome is the opening, even though it is not actually, the best part of the novel. Why? Because the author engages the reader right from the beginning. I appreciated knowing that I'm not wasting my time right away. This is one of the books I received free from the author and brought a copy just because, I have a habit of buying books I like....

Well hell, Natasha...you only gave it four stars on Amazon... 

The Dome could have very well received five stars from me, and the only reason I didn't go there with this author is because more could have been done with the editing. The author needs to simply tighten up her writing as to not risk losing the reader, and five stars it will be.  At times, the writing was a tad confusing and I'd have to go back and re-read a passage to follow the story.

Brief synopsis time: The Dome is a science fiction/urban fantasy romance that tells the story of Sam Tucker, a character that starts getting visions of Earth's demise. He is then saved by aliens and naturally starts to question why.  Then there is Emma, who, when introduced to the reader was incredibly bored and in need of change at the time of her planet's demise.  Now she finds herself having to adjust her earth girl behavior. 

I highly recommend this book for any science fiction/urban fantasy junkie.


Nova Sparks will have a post featured every other Monday here at Paranormal Wire.

Author Blogs: Nova Sparks
Book Blogger Buzz

Tuesday, January 18, 2011

Interview With Fantasy Author: Alexander Hammond




I love Writers Face-the online networking website for writers because without that I wouldn't have ever had the pleasure of interviewing fantasy author Alexander Hammond about his newly released analogy of short stories.

I won't bore you with too much of my own commentary. I'll just say i asked Hammond about his background, other bodies of work, writing process and major influences.

On his background Hammond states that:

"I’m a Brit and located in both London and New York. I travel extensively internationally and when I’m not travelling, I’m in either of those two locations….though I prefer New York. Fabulous place.

I’ve been writing for about fifteen to twenty years (I’m nudging middle age). Initially I wrote advertising copy…lots of it…which prompts the necessity for disciplined writing and an economy of words. Nothing is wasted.


I then co wrote a cartoon strip for a number of years and again, I mention the history of this in my bio on that site so I won’t repeat myself. This type of writing requires even more discipline insomuch as the generally required standard for a three box strip in a newspaper is a maximum of twenty five words or less…plus its got to be funny! This was a wonderful experience.


So, my first book was The Zodiac Files. A compilation of the cartoon strips by the same name. Its now long out of print and as I co wrote it with my then wife (who conceived the idea entirely on her own), whilst it was my first book, it was hers as well. Credit where it’s due. We used pen names.


I continued to write, completing two humorous travelogues based on my business travelling. I tried for a long while to get them published but to no avail. This will change this year however as I’m currently discussing their publication with a publisher at present. This publishers interest came about as a result of them knowing about Tales from the Edge of Forever being published. Once one company has ‘taken the risk’ then it encourages other companies. Equally it’s the same with agents. I’ve had two approaches since this book became available.


Once the carton project died I continued to write. Firstly a screenplay which I thought was the best thing ever (it wasn’t!) and then a further movie screenplay entitled Perfect Disability which there is currently some interest in from various parties. The pitch is Notting Hill meets The Usual Suspects.

Two years ago, through a series of personal connections, a party who knew of my ability to write, commissioned me to ghost write a book on behalf of a third party. Sadly I cannot discuss this any more due to legal constraints. It did achieve a modest success…for the person for whom I wrote it."

That brings us to his third book Tales from the Edge of. Forever. Hammond states that this was his personal favorite...


"and very much the sort of thing that I like to read myself. Writing a cartoon strip aimed at a sophisticated adult audience made me sharpen my craft in creating the most impact in the briefest possible space, hence short stories based on my favourite subject (fantasy) seemed like a fun idea. The project was a true labour of love."

Q: What writer's have influenced your writing the most?

"I’ve always loved fantasy and science fiction. My god was Arthur C Clarke who I discovered when I was around eight years old. He took me to places I’d never been before or even thought existed in people’s minds. Philip K Dick was next. I read Do Androids Dream of Electric Sheep’ way before it was (brilliantly) filmed as Blade Runner and the same can be said of We can remember it for you Wholesale which was appallingly filmed as Total Recall.


First reading Frank Herbert’s Dune was a revelation of almost spiritual proportions insomuch as the originality of the storyline was breathtaking. And so it goes one. Asimov, Carl Sagan’s Contact’. William Harrison’s collection of short stories Rollerball, including the short story of the same name. Firstly brilliantly filmed by Norman Jewison in 1975 and then disgracefully remade in the train wreck that was the 2002 version.


In tandem with science fiction I also loved more spiritually based fiction such as the fantastic work of Richard Bach. Quite frankly, any of his titles are worth reading. A superb wordsmith.
So, that being the case, I wanted to try and create some stories that crossed both genres and this anthology is a result of those endeavours. I started each one with the thought process ‘What if?’ and went from there. Deity was an example of that. In some of the stories I had a very clear view of where I wanted to go. Stories such as Abracadabra, The Man who thought Hell was a breeze and My Special Guest Tonight are good examples of that.


With some however, I had no idea where I was going to go and they took on a life of their own. I would write a few hundred words a day and then cogitate for a day on where I could take the story, or just sometimes try an open myself up and let a direction come to me. It sounds all very whimsical and maybe it, is but creativity is a difficult thing to pin down as I’m sure you’ll know. Consequences, Ambition and The Button are examples of this.

Q: Where did you get your story ideas for this anthropology?


My ideas and where they come from are generated by a (probably) over active imagination and a reluctance to truly grow up. I’ve watched and read far too much science fiction and fantasy in my life. Comic books and graphic Novels are also a passion. Whether it be Invisibles, Halo Jones or, at the other end of the scale….the numbingly good and yet totally horrifying Preacher series.

Additionally I also read a lot of ‘Hard Science’ books. Hawking, Sagan, Fyneman etc etc, which also influenced some of the more exotic physics referenced in the story’s Ambition and An Astronauts Dream."

I concluded this interview by asking Hammond if he could provide any advise for aspiring fantasy writers.


"Well, I know its often said so my advice is not original but, read as much as you and write as much as you can. Persist persist and persist and be brutal with your own critique. Read and re read again and again what you’ve put on the  page and think ‘How can I make this read better’. It’s a true chore but definitely worth the effort."


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